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	<title>francescaseravalle.com</title>
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	<pubDate>Sat, 13 Jun 2026 13:31:50 +0000</pubDate>
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		<title>ABOUT</title>
				
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		<pubDate>Mon, 05 Aug 2019 15:25:44 +0000</pubDate>

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		<description>LECTURER - VISUAL ARTIST
BIO&#60;img width="2048" height="1314" width_o="2048" height_o="1314" data-src="https://freight.cargo.site/t/original/i/2002526810676e516c8a8e56ac2cf431a2c9cafcc09c90ad589ffa3c8c83c5d4/12322902_10207796033671722_4244834055945520836_o.jpg" data-mid="48006238" border="0"  src="https://freight.cargo.site/w/1000/i/2002526810676e516c8a8e56ac2cf431a2c9cafcc09c90ad589ffa3c8c83c5d4/12322902_10207796033671722_4244834055945520836_o.jpg" /&#62;
Subject to collect#1” #bridgebetween Christian Boltanski “Personnes” 2010 Michelangelo Pistoletto “Venere degli stracci” 1967 Erik Kessels “24 hours” 2011How much our contemporary society is influenced by photography and how much the photographic technic is influenced by the society? Photography is the daughter of Psyche and Techne, of the human necessity to communicate and to create a new device for “improving communication”. If photography was not used in  everyday social life, and as primary media, it would be relocated to a specialized lab, as a microscope. 
Interpreting an archive is a matter of patience and intuition is above all asking the right questions. It’s about activating a collective memory. 
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Venetian, award-winning independent curator majored with a first class degree in Conservazione dei Beni Culturali (Ca’ Foscari), she has studied in both Venice and Paris winning a University fellowship at Magnum Photos Paris’ archives. Over the past ten years she has worked as a producer for both exhibitions and books, supporting over sixty photographers including Koudelka and D’Agata. Francesca’s work is linked to the production of a number of projects for Magnum Photos, both in Paris and Milan. Her works as a curator, writer and researcher include Shining in absence book (AMC - Kessels); Mother Nature (RVB - Kessels); Dalston Anatomy by Lorenzo Vitturi book (SPBH) and shows in Europe (Foam Museum in Amsterdam, CNA Luxembourg, The Photographers’ Gallery in London, in Yossi Milo Gallery in New York and at IMA Gallery Tokyo); Alex &#38;amp; Me by James Pfaff book (Montanari) and solo show at the Street Level Photoworks Gallery during the Festival Glasgow International 2018 and the new book Alex &#38;amp; Me – Coda by James Pfaff (Montanari) 2018; The Y by Alba Zari book 2019 (Witty Kiwi) and show at Maxxi in Rome (October 2019).Francesca, previously leader of the group of curators and archival researchers at Fabrica of the Benetton Group, she is Tutor for Fashion, Art and Cultural Context BA at Istituto Marangoni (Manchester Metropolitan University) School of Fashion in London; Lecturer for the Photobook and SelfPublish BA course at London South Bank University. She supports artists and young creative in discovering their own style and in developing the concept and the layout of their book and exhibition. Her texts and curatorial works are published internationally by RVB, AMC, SPBH, Trolleybooks, Silvana Editrice, Montanari and Witty Kiwi. In 2015 with the “Until Proven Otherwise / On the Evidence of the First Photos”, exhibited at Format Festival, she won the Paul Hill Exposure FORMAT15 Award. The exhibition became an Open Air Museum and an Urban Intervention firstly in Bari in 2015, invited by Planar and than at Puntasecca in 2016 for Gazebook Festival. In November 2016 the project was exhibited with a new installation at the Wroclaw Museum to celebrate the European Capital of Culture. The obsession of the First Time continues in her curatorial practice with the project Everything has its FirstTime where Francesca digs up many archetypes of our contemporary society and transforms archival materials into conceptual art. Her new works include the exhibition Quantum Pixel at Brighton Festival of Art in 2016, the video Secret Communication, The First Onscreen Woman Orgasm at London Photo Fair 2016, at Venice Film Festival 2016 and at Photo Saint Germain, Paris 2017; Fabrica x Aquagranda at Fondazione Bevilacqua La Masa Gallery, Venice 2016; the video Women from Ca’ Pesaro commissioned and projected at Ca’ Pesaro, Museum of Modern Art of Venice, 2017 and at Venice Film Festival 2018. In September 2017 she was invited to do an audio performance for the collective POIUYT at UNSEEN Festival. In November 2018 she co-curated the exhibition representing the Venetian Heritage at SUZHOU DESIGN WEEK. She is actually working on “The Fist Photos – Polysemy of the primitive gesture” an archival and semiotic project. She currently lives  in Venice and works worldwide.&#38;nbsp;

































For Format Festival (Derby, UK), in March 2023, she
curated The Performing Photobook a sensory and ASMR exhibition, with
workshops and performance, and bookfair for Format23. 




In July 2023, in Gibellina on The Road Festival, she exhibited her project Magnification
– A conscious act of seeing. 



www.thefirstphotos.comyoutube: everything has its first timelinktr.ee/francesca_seravalle
contact: francesca.seravalle@gmail.com






	
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		<title>THE PIXEL</title>
				
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		<pubDate>Sat, 13 Jun 2026 13:04:38 +0000</pubDate>

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How many pixels do we see a day? Who invented the pixel and why? Ever since the pixel became the primary element for transmitting information — both textual and visual — the digital revolution has completely transformed our communication, language, and lifestyle. Our videos, our photographs, and even our thoughts are converted into pixels, yet we know very little about them.

The Pixel, featuring an introduction by Joan Fontcuberta and design by Erik Kessels, offers a multidisciplinary investigation into the fundamental element of the digital image. It explores its origin, evolution, and its aesthetic, ethical, and cultural significance, as well as its implications in contemporary and post-photographic society. The pixel is analyzed from multiple perspectives and across the various fields in which it has been employed since its inception: art, technology, video games, and photography. It is also examined as a tool for intervening in and manipulating other images, thereby taking on further ethical and aesthetic value.
Still of the book courtesy by Francesco Stelitano
isbn: &#38;nbsp;9791254931615
Special process: &#38;nbsp;die-cut cover
Languages: &#38;nbsp;Italian and English
Binding: &#38;nbsp;paperback stitched with long flaps
Pages: &#38;nbsp;360
Width: &#38;nbsp;13,50
Height: &#38;nbsp;21
Edition: &#38;nbsp;2026
https://corraini.com/en/the-pixel.html

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		<title>THE PIXEL Project</title>
				
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		<pubDate>Sat, 13 Jun 2026 13:31:50 +0000</pubDate>

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How many pixels do we see a day? Who invented the pixel and why? Ever since the pixel became the primary element for transmitting information — both textual and visual — the digital revolution has completely transformed our communication, language, and lifestyle. Our videos, our photographs, and even our thoughts are converted into pixels, yet we know very little about them.

The Pixel, featuring an introduction by Joan Fontcuberta and design by Erik Kessels, offers a multidisciplinary investigation into the fundamental element of the digital image. It explores its origin, evolution, and its aesthetic, ethical, and cultural significance, as well as its implications in contemporary and post-photographic society. The pixel is analyzed from multiple perspectives and across the various fields in which it has been employed since its inception: art, technology, video games, and photography. It is also examined as a tool for intervening in and manipulating other images, thereby taking on further ethical and aesthetic value.

isbn: &#38;nbsp;9791254931615
Special process: &#38;nbsp;die-cut cover
Languages: &#38;nbsp;Italian and English
Binding: &#38;nbsp;paperback stitched with long flaps
Pages: &#38;nbsp;360
Width: &#38;nbsp;13,50
Height: &#38;nbsp;21
Edition: &#38;nbsp;2026
https://corraini.com/en/the-pixel.html

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		<title>ARCHIVES</title>
				
		<link>https://francescaseravalle.cargo.site/ARCHIVES</link>

		<pubDate>Tue, 06 Aug 2019 16:04:05 +0000</pubDate>

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		<description>ARCHIVES


&#60;img width="2048" height="1284" width_o="2048" height_o="1284" data-src="https://freight.cargo.site/t/original/i/fc214ca83ff722eb68d82dfe1a02d03d383f5bc94c29b8829a4d64a6cd97c093/IMG_1396_schiarito.jpg" data-mid="48429629" border="0"  src="https://freight.cargo.site/w/1000/i/fc214ca83ff722eb68d82dfe1a02d03d383f5bc94c29b8829a4d64a6cd97c093/IMG_1396_schiarito.jpg" /&#62;
&#60;img width="2048" height="1284" width_o="2048" height_o="1284" data-src="https://freight.cargo.site/t/original/i/de4852c6008b52930eb2139b19d86935125f904998a986acc2e6f8d85e029a99/13433195_953242334774856_345366711089540199_o.jpg" data-mid="48429756" border="0"  src="https://freight.cargo.site/w/1000/i/de4852c6008b52930eb2139b19d86935125f904998a986acc2e6f8d85e029a99/13433195_953242334774856_345366711089540199_o.jpg" /&#62;
&#60;img width="2048" height="1284" width_o="2048" height_o="1284" data-src="https://freight.cargo.site/t/original/i/123de9955d1dfe1fbcf03a60a23f10ff52d87f0dbb58484ae58646b6c0125e4d/14289867_1013679578731131_4007125816291711042_o.jpg" data-mid="48430498" border="0"  src="https://freight.cargo.site/w/1000/i/123de9955d1dfe1fbcf03a60a23f10ff52d87f0dbb58484ae58646b6c0125e4d/14289867_1013679578731131_4007125816291711042_o.jpg" /&#62;
&#60;img width="11531" height="6686" width_o="11531" height_o="6686" data-src="https://freight.cargo.site/t/original/i/5bea6f7eb215a06050025c11b057cbc1fe1f3dabfd8f11500355a6c8123c3ce9/Fist-mind-map-2-copy_HR.jpg" data-mid="48430346" border="0"  src="https://freight.cargo.site/w/1000/i/5bea6f7eb215a06050025c11b057cbc1fe1f3dabfd8f11500355a6c8123c3ce9/Fist-mind-map-2-copy_HR.jpg" /&#62;
&#60;img width="1134" height="841" width_o="1134" height_o="841" data-src="https://freight.cargo.site/t/original/i/5380c763261a60ace62a3225942ebbc8541897460dd9d58fb7b6037c4f6318e2/Act-of-seeing.jpg" data-mid="185779286" border="0"  src="https://freight.cargo.site/w/1000/i/5380c763261a60ace62a3225942ebbc8541897460dd9d58fb7b6037c4f6318e2/Act-of-seeing.jpg" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/e4e18de728387a1e2d1338a3209458575b9844d947aa7b8b95085407bfba7128/PROVA_-2.jpg" data-mid="48430396" border="0"  src="https://freight.cargo.site/w/1000/i/e4e18de728387a1e2d1338a3209458575b9844d947aa7b8b95085407bfba7128/PROVA_-2.jpg" /&#62;


Projects based on Archival materials
Magnification
Until Proven Otherwise on The Evidence of the First Photos
The Fist Photos
Everything has its First Time
Shining in Absence
Alex &#38;amp; Me
FabricaXAquagranda
Sposami&#38;nbsp;
Secret Communication
Woman from Ca’ Pesaro
Foodromance


Interviews given about Archives
PHMuseum digital show Francesca Seravalle: On the Polysemy of the FistColin Pantall’s blog Francesca Seravalle and the hidden language of the archive
Colin Pantall&#38;nbsp; text&#38;nbsp;Installing The First Photos in Gazebook
Alejandro Acin ATA: Introducing Francesca Seravalle



















Amano Photographic Studies&#38;nbsp;Activating
the Archive Arnolfini Bristol 5’th May 2018







Urbanautica Francesca Orsi: Francesca Seravalle: The First Photos

Archivist

My first work in Photography fields was in archives, I worked as archivist in the first period of digitalisation, cataloguing ancient reviews of Photography, archiving photobooks, photographs and personal correspondences between photographers and gallery managers, with the national program system and studying the structures of the archives.&#38;nbsp;

Magnum Photos (Paris - FR) 
CRAF Centro Ricerca Archiviazione Fotografia (Spilimbergo - IT)
SuperStock (London - UK)

I’ve collaborated with the following Institutions, doing private and research on commission for exhibitions, books and exhibition. My mission is to give a contemporary visibility to the archival materials. And I’ve coordinated the department of Curator &#38;amp; Archival Research between of Fabrica Communication’s Centre of Benetton Group (IT) the 2016-2017

The Archive of Modern Conflict (UK) 
Fondazione Corriere della Sera (IT)
Fototeca Ando Gilardi (IT)
National Media Museum (UK)
V&#38;amp;A (UK)
Museo di Arte Moderna di Venezia, Ca’ Pesaro (IT)


Most of my personal projects, like the Research of the First Photos are based on archival materials, specially in International Open Data archives. 
List of Online Archives consulted:&#38;nbsp;












Berkeley University Digital Library
British LibraryBFI
Institute LumièreIstituto Luce 
La Société Française de la Photographie
Library of Congress
NASA Archive
Museum of Modern Art Archives
Smithsonian Institution Archives
The Franklin Institute
The Getty Research Institute Open Content Images
The George Eastman MuseumThe Internet Archive
The Metropolitan Museum’s Open Access (OASC)The Royal Photography Society
The Russian Archive
The Talbot Museum
The United States Holocaust Memorial Museum
Yale University Online Digital Collections







	


	

	
</description>
		
	</item>
		
		
	<item>
		<title>ASMR</title>
				
		<link>https://francescaseravalle.cargo.site/ASMR</link>

		<pubDate>Sun, 22 Oct 2017 21:45:25 +0000</pubDate>

		<dc:creator>francescaseravalle.com</dc:creator>

		<guid isPermaLink="true">https://francescaseravalle.cargo.site/ASMR</guid>

		<description>
	
&#60;img width="300" height="550" width_o="300" height_o="550" data-src="https://freight.cargo.site/t/original/i/3fbad664df92cab86ad293198bb9da664127836c52162da90e19ca1bfcb146f7/ASMR.jpg" data-mid="205424774" border="0"  src="https://freight.cargo.site/w/300/i/3fbad664df92cab86ad293198bb9da664127836c52162da90e19ca1bfcb146f7/ASMR.jpg" /&#62;
ASMR PERFORMANCETHE HANDS OF THE CURATORUNSEEN PHOTO FAIR 201721 SEPTEMBER AMSTERDAMPOIUYT RADIO
ASMR provoking performance about the actual photobook situation. Where is going the photobook market? How a curator analyzes a photobook? By the story? By the editing? By the text? By the sequence? By the subject? By the photographer? By the publisher? By the photos? By the graphics? By the binding? By the paper? How much attention and time we give to all these factors when we are turning the pages? Are all the hands similar? Which hands you wish to flip your book? When you turn the pages of a photobook do you prefer the total silence or a vocal intervention of the author? How many books are made for general interest or for personal interest? Are you able to recognize a book by the sound of the touring of its pages? How many seconds do you dedicate to turn the pages of a book? This will be the first audio book of a photobook Festival, playing with the limits of photography, joking about the glamour trend of the contemporary photography, and the easy trend of a deictic communication based on the hand fetishism. Is still a photographic project when a photobook is invisible? Can the power of the sound of the touch give you the vision of the photobook?

	THE ASMR PHOTOBOOKFORMAT INTERNATIONAL FAIR 2023THE PERFORMING PHOTOBOOK &#38;amp; MARKET
Graphic in collaboration with AskAgain&#38;nbsp;
&#60;img width="3969" height="11339" width_o="3969" height_o="11339" data-src="https://freight.cargo.site/t/original/i/523a4e7f7e6214ffdbc18658cdb18252372b8a98349f7b59983c5bfe6890b4aa/BANNER-ASMR-_-BANNER-QUESTION.jpg" data-mid="205425993" border="0"  src="https://freight.cargo.site/w/1000/i/523a4e7f7e6214ffdbc18658cdb18252372b8a98349f7b59983c5bfe6890b4aa/BANNER-ASMR-_-BANNER-QUESTION.jpg" /&#62;
&#60;img width="4896" height="3264" width_o="4896" height_o="3264" data-src="https://freight.cargo.site/t/original/i/662dcd2df044dd7a5dd4c41b5536f8a6c0ca4e475fbdaed4ec6ccc8d153cfbe8/ASMR_UNSEEN.jpg" data-mid="5580959" border="0"  src="https://freight.cargo.site/w/1000/i/662dcd2df044dd7a5dd4c41b5536f8a6c0ca4e475fbdaed4ec6ccc8d153cfbe8/ASMR_UNSEEN.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>BOMBS</title>
				
		<link>https://francescaseravalle.cargo.site/BOMBS</link>

		<pubDate>Wed, 07 Apr 2021 00:17:44 +0000</pubDate>

		<dc:creator>francescaseravalle.com</dc:creator>

		<guid isPermaLink="true">https://francescaseravalle.cargo.site/BOMBS</guid>

		<description>
	&#38;nbsp; &#38;nbsp;BOMBS
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/69fe615cb7ceb7c6ea6a066eb2ba5766fa7560bd18059ca8bf998ba0b3327222/ICV.016.jpeg" data-mid="104471069" border="0"  src="https://freight.cargo.site/w/1000/i/69fe615cb7ceb7c6ea6a066eb2ba5766fa7560bd18059ca8bf998ba0b3327222/ICV.016.jpeg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/989a79e57781abd954b6b8c67f9d5554340e98cc0c5bdb3c87c91a5c4cca6a88/ICV.018.jpeg" data-mid="104471073" border="0"  src="https://freight.cargo.site/w/1000/i/989a79e57781abd954b6b8c67f9d5554340e98cc0c5bdb3c87c91a5c4cca6a88/ICV.018.jpeg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/028af6f1c6c8f25ff00b338805fe2d5cc6b7404e84596d4a7d9ca1d1b10312e5/ICV.017.jpeg" data-mid="104471074" border="0"  src="https://freight.cargo.site/w/1000/i/028af6f1c6c8f25ff00b338805fe2d5cc6b7404e84596d4a7d9ca1d1b10312e5/ICV.017.jpeg" /&#62;
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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4e3719ba57f0c5c2539753032ed9965c1a664b025100eb6a93e1f485454a507c/ICV.020.jpeg" data-mid="104471133" border="0"  src="https://freight.cargo.site/w/1000/i/4e3719ba57f0c5c2539753032ed9965c1a664b025100eb6a93e1f485454a507c/ICV.020.jpeg" /&#62;


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0acc41f4025ba89cec4d6a9f166329e30427761f97de3b1ede4535233854b425/ICV.004.jpeg" data-mid="104471419" border="0"  src="https://freight.cargo.site/w/1000/i/0acc41f4025ba89cec4d6a9f166329e30427761f97de3b1ede4535233854b425/ICV.004.jpeg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e8afba174663f40e94dd2b6a1257b2ac3aa166741509055a69dea77da59e6ad1/ICV.003.jpeg" data-mid="104471418" border="0"  src="https://freight.cargo.site/w/1000/i/e8afba174663f40e94dd2b6a1257b2ac3aa166741509055a69dea77da59e6ad1/ICV.003.jpeg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a83537dd7d0c4d0ed375f190c1fb44e9bae864046a18b5ca2e717146131f8774/ICV.011.jpeg" data-mid="104471420" border="0"  src="https://freight.cargo.site/w/1000/i/a83537dd7d0c4d0ed375f190c1fb44e9bae864046a18b5ca2e717146131f8774/ICV.011.jpeg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3826db0a4f80b1321ed8a6912af4dec5d31b4a600d535d774991f5688fd6fc11/ICV.021.jpeg" data-mid="104471424" border="0"  src="https://freight.cargo.site/w/1000/i/3826db0a4f80b1321ed8a6912af4dec5d31b4a600d535d774991f5688fd6fc11/ICV.021.jpeg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/369cad74a57665555ffd6b449feff6f6e13f72ac5e1afe66bf1b09ca6c57d7d2/ICV.027.jpeg" data-mid="104471430" border="0"  src="https://freight.cargo.site/w/1000/i/369cad74a57665555ffd6b449feff6f6e13f72ac5e1afe66bf1b09ca6c57d7d2/ICV.027.jpeg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/efb264d4c4a47865ac5cdc44a9f142cfea071cb0d99f6e41a7192121cf8d92d2/ICV.041.jpeg" data-mid="104471442" border="0"  src="https://freight.cargo.site/w/1000/i/efb264d4c4a47865ac5cdc44a9f142cfea071cb0d99f6e41a7192121cf8d92d2/ICV.041.jpeg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/90b2d6bc95b2e0e339a4dd4dcbac8cfb564b964812d42c49fd8c44166a0861b0/ICV.087.jpeg" data-mid="104471776" border="0"  src="https://freight.cargo.site/w/1000/i/90b2d6bc95b2e0e339a4dd4dcbac8cfb564b964812d42c49fd8c44166a0861b0/ICV.087.jpeg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7793a44f2af362bb2cb16889c13f1dff15e623269e53f52d706253b8653423c2/ICV.090.jpeg" data-mid="104471939" border="0"  src="https://freight.cargo.site/w/1000/i/7793a44f2af362bb2cb16889c13f1dff15e623269e53f52d706253b8653423c2/ICV.090.jpeg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3096c005de3c085c49b8568568210fb269b807910a7fee7b69b1d6954846bf40/ICV.093.jpeg" data-mid="104472004" border="0"  src="https://freight.cargo.site/w/1000/i/3096c005de3c085c49b8568568210fb269b807910a7fee7b69b1d6954846bf40/ICV.093.jpeg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/fa8548cf716745ad9fe70658e1a774d2dbe64dab156d0c13dab6c4bf3295de95/ICV.155.jpeg" data-mid="104472112" border="0"  src="https://freight.cargo.site/w/1000/i/fa8548cf716745ad9fe70658e1a774d2dbe64dab156d0c13dab6c4bf3295de95/ICV.155.jpeg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5461f840cd361ed1ce75a9103efa25eaf95bf9f1fee1984386f973d1837a1042/ICV.157.jpeg" data-mid="104471415" border="0"  src="https://freight.cargo.site/w/1000/i/5461f840cd361ed1ce75a9103efa25eaf95bf9f1fee1984386f973d1837a1042/ICV.157.jpeg" /&#62;







	

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	</item>
		
		
	<item>
		<title>BOOKS</title>
				
		<link>https://francescaseravalle.cargo.site/BOOKS</link>

		<pubDate>Mon, 23 Oct 2017 13:53:02 +0000</pubDate>

		<dc:creator>francescaseravalle.com</dc:creator>

		<guid isPermaLink="true">https://francescaseravalle.cargo.site/BOOKS</guid>

		<description>

BOOKS

&#60;img width="960" height="639" width_o="960" height_o="639" data-src="https://freight.cargo.site/t/original/i/3b4c72ae80a4ec34f0f669c407e43d1e96936a138acdeac2bb4b3ca143df7eb9/color_proof_checking.jpg" data-mid="9914283" border="0"  src="https://freight.cargo.site/w/960/i/3b4c72ae80a4ec34f0f669c407e43d1e96936a138acdeac2bb4b3ca143df7eb9/color_proof_checking.jpg" /&#62;


&#60;img width="837" height="561" width_o="837" height_o="561" data-src="https://freight.cargo.site/t/original/i/b315c23ef4dd2a2cf0652f530fa3247e3ba482de175460ccf0881337e9be5ed1/9982-26fd845c72624f6493ef88bd7e00efa9.jpeg" data-mid="48231323" border="0"  src="https://freight.cargo.site/w/837/i/b315c23ef4dd2a2cf0652f530fa3247e3ba482de175460ccf0881337e9be5ed1/9982-26fd845c72624f6493ef88bd7e00efa9.jpeg" /&#62;
&#60;img width="837" height="561" width_o="837" height_o="561" data-src="https://freight.cargo.site/t/original/i/b72114b4fd3915108bad8266016077361a7a828f92a72e25a24b214e87226e48/5.jpeg" data-mid="48231320" border="0"  src="https://freight.cargo.site/w/837/i/b72114b4fd3915108bad8266016077361a7a828f92a72e25a24b214e87226e48/5.jpeg" /&#62;
&#60;img width="837" height="561" width_o="837" height_o="561" data-src="https://freight.cargo.site/t/original/i/e024686ecf4d3c80b07c757b75fbdf1afe492b55319792185e05eff61fc1a04f/9982-728919d49b1446b594e2f577cbbe87fb_1728x.jpg" data-mid="48231763" border="0"  src="https://freight.cargo.site/w/837/i/e024686ecf4d3c80b07c757b75fbdf1afe492b55319792185e05eff61fc1a04f/9982-728919d49b1446b594e2f577cbbe87fb_1728x.jpg" /&#62;
&#60;img width="837" height="561" width_o="837" height_o="561" data-src="https://freight.cargo.site/t/original/i/c5d3ab18c081cde364987cb5f98f163fcdf94f4f5c00d29d5fc2b440534b47bf/9982-40dfac71d25741a2813143b0c28a00fa_1728x.jpg" data-mid="48231764" border="0"  src="https://freight.cargo.site/w/837/i/c5d3ab18c081cde364987cb5f98f163fcdf94f4f5c00d29d5fc2b440534b47bf/9982-40dfac71d25741a2813143b0c28a00fa_1728x.jpg" /&#62;

&#60;img width="900" height="800" width_o="900" height_o="800" data-src="https://freight.cargo.site/t/original/i/68a617b223027f55e9d85f35611b64dcacab869f57ff2f4d5378f1e4c95e206d/james-pfaff-alex-me.jpg" data-mid="48231280" border="0"  src="https://freight.cargo.site/w/900/i/68a617b223027f55e9d85f35611b64dcacab869f57ff2f4d5378f1e4c95e206d/james-pfaff-alex-me.jpg" /&#62;
&#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/ebec7f7f0a19ac85c65dd9417a0450ef8db38e38a9a967f0b64a6a0b3f6b2ffc/440382-729043f9d7c34d1cbd6db7ff335b3878.jpeg" data-mid="48231334" border="0"  src="https://freight.cargo.site/w/1000/i/ebec7f7f0a19ac85c65dd9417a0450ef8db38e38a9a967f0b64a6a0b3f6b2ffc/440382-729043f9d7c34d1cbd6db7ff335b3878.jpeg" /&#62;
&#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/18e7f117faed585abc55b7dbc4705aca7a371179926c14a5cdafc61eb5f04dd1/440382-297d7a1b1ddc4d4fb99878ef3682215c.jpeg" data-mid="48231282" border="0"  src="https://freight.cargo.site/w/1000/i/18e7f117faed585abc55b7dbc4705aca7a371179926c14a5cdafc61eb5f04dd1/440382-297d7a1b1ddc4d4fb99878ef3682215c.jpeg" /&#62;

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Curating an art book means working with the artist from the concept, the design, the editing, the production, to the promotion&#38;nbsp;of the book. I collaborate even as researcher and as writer of essays. The books are published by&#38;nbsp;RVB (FR), AMC (UK), SPBH (UK), Trolleybooks (UK), Witty kiwi (IT), Silvana Editrice (IT). I have even a background as project manager for cultural and corporate books with Magnum and many Festivals of photography.




Since January 2019 I’m Visiting Lecturer at London South Bank University Art and Creative Industries -&#38;nbsp;for the course Photobook and Selfpublishing 
Lens Culture Favorite Photobooks of 2018 nominator
The Pixel by Francesca Seravalle, 2026 Corraini.
Era Mare photographs by Matteo de Mayda, designed and published by bruno 2019. Text writer.

The Y&#38;nbsp; artbook by Alba Zari, Witty Kiwi (IT) 2019. Curator of the project (research started at Fabrica and book). Writer of the Text.
Alex &#38;amp; Me - Coda,&#38;nbsp; artbook by James Pfaff; Danilo Montanari Editore (IT) 2018. Curator and Art director.Nekya by Rocco Venezia; Witty Kiwi (IT) 2017. Writer.

Alex &#38;amp; Me artbook by James Pfaff; Danilo Montanari Editore (IT)2016. Curator and Art director.


Shining in Absence artbook with archival material, Published by Archive of Modern Conflict (UK) curated by Erik Kessels, 2015. Concept &#38;amp; Archival researcher.


Mother nature, artbook published by RVB (FR), curated by Erik Kessels, 2015. Writer.


Dalston Anatomy by Lorenzo Vitturi SPBH (UK). 2013. Curator, project manager.


L’Italia e gli Italiani, nell’obiettivo dei fotografi Magnum (Majoli, Gilden, Pellegrin, Subotzky, Kalvar, Anderson, Power, Wylie, Gruyaert) published by Silvana editrice, 2011. Project manager, text editor.


Bracco / Magnum Photos - Pinkassov, Marlow, Power, Gruyaert and Gaumy. Social Report for Bracco, assistant producer, text editor.


Blanco by Stefano De Luigi VII Agency. Texts by Philippe Dagen and Giovanna Calvenzi, quotes from José Saramago. POYi Best Photography Book Award, published by Trolleybook (UK) 2010. Assistant producer, text editor.


SKY, Racconto per immagini (Stefano De Luigi – VII; Giovanni Cocco – VII; Samuele Pellecchia – Prospekt). Annual Report for SKY. Project manager, photo and text editor.


 Attraverso la finestra by Giorgio Barrera LUZ Agency, published by ZoneAttive - Municipality of Rome.&#38;nbsp;2009 Assistant producer, text editor.


La Gioia / FotoGrafia, Festival Internazionale di Roma, (Nan Goldin, Guy Tillim, Gerard Rancinan, Alejandro Chaskielberg, Riccardo Venturi, Euvgen Bavcar ...) published by ZoneAttive - Municipality of Rome. Festival catalogue, assistant producer, photo and text editor.


DUANE MICHALS 50, Admira Edizioni.&#38;nbsp;2008 Exhibition catalogue for Scavi Scaligeri Museum, Verone. Assistant producer.


Foto &#38;amp;Photo 2008 / Biennale Internazionale di Fotografia (Martin Munkacsi, Jacques Henri Lartigue, Pedro Meyer, Max Pam, Matias Costa, Franco Pagetti (VII) and Mario De Biasi…), Admira Edizioni. Festival catalogue, assistant producer, photo and text editor.


Josef Koudelka by Josef Koudelka, published by Torst (CZ) 2007. Assistant producer, photo editing assistant.


L’image d’apres le cinema dans l’imaginaire de la photographie / Magnum Photos 2006 ed. STEIDL. Assistant producer.





	


	

	
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		<title>COLLABORATIONS</title>
				
		<link>https://francescaseravalle.cargo.site/COLLABORATIONS</link>

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&#60;img width="2423" height="2423" width_o="2423" height_o="2423" data-src="https://freight.cargo.site/t/original/i/a511781b6cab3aa92c0d87f1fb04509f44c7cebe9770778a4b8494cfb7a88952/IMG-2631-copy.jpg" data-mid="47854318" border="0"  src="https://freight.cargo.site/w/1000/i/a511781b6cab3aa92c0d87f1fb04509f44c7cebe9770778a4b8494cfb7a88952/IMG-2631-copy.jpg" /&#62;






ISTITUTO MARANGONI, LONDON (UK)Tutor at Istituto Marangoni International School of Fashion - LondonFashion
Styling – Fashion, Art and Cultural Context www.istitutomarangoni.com
London South Bank University (UK) Lecturer at London South Bank University Art and Creative Industries
- Photobook and Selfpublishing www.lsbu.ac.uk
FABRICA - BENETTON GROUP's communication research centre (IT)Curator &#38;amp; Archival researchers coordinator&#38;nbsp; www.fabrica.it
ECAL University of Art and Design Lausanne (CH)Pre-jury thesis Master 
University of the West of England - Bristol (UK)Visiting Lecturer 
University of South Wales - Cardiff (UK)Visiting Lecturer 
City of Glasgow College (UK)Visiting Lecturer 
ARCHIVE OF MODERN CONFLICT (UK) Researcher
VOGUE (IT)Portfolio reviewer - PhotoVogue 
KESSELSKRAMER (NL)Talent scout and Text contributor
UNSEEN PHOTO FAIR (NL)Perfromance
MAGNUM PHOTOS (FR)Archivist and project manager
VII AGENCY (US)Archivist and project manager
FONDAZIONE VENEZIA 2000 (IT)Curator
MUSEI CIVICI DI VENEZIA (IT)


Curator and video artist





	


	

	
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		<title>CONFERENCES</title>
				
		<link>https://francescaseravalle.cargo.site/CONFERENCES-1</link>

		<pubDate>Mon, 05 Aug 2019 13:34:19 +0000</pubDate>

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		<description>CONFERENCES


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2022











Limited edition. Paolo Ventura and the artist’s photobook. Curator and presentation, Book Festival, Pordenone Legge, Pordenone (IT)




#FEELINGVENICE Presentation of the sensory archive of the Venice lagoon (video, audio ASMR, photographs, installations and olfactory performance) conceived and edited for the Vittorio Cini Archive. 79th Venice International Film Festival, Lido of Venice. (IT)
CV FORUM 2022 - The management of artistic and cultural assets for the growth and relaunch of the country system. Presentation of Feeling Venice. M9 Auditorium - Museum of the 20th century.





Better thief than Photographer - The archive and the art of copying as an artistic process. Master in Authorial Photography by Augusto Pieroni Officine Fotografiche (Rome)







2021
Almanac of Suspension. Visual Archive of the pandemic. With Davide Giannella, Leonardo Merlini, Francesca Seravalle and Matteo Balduzzi. Triennale Milano / BookCity Milan Festival (IT)
Presenting the platform The Editorialistmade with Arte-Mide winning project of Upskill contest, realized with ITS and supported by University of Iuav, Ca' Foscari University, Fondazione di Venezia at M9 Museum (IT)&#38;nbsp; &#38;nbsp; &#38;nbsp;
The hard life of curating a photobook.&#38;nbsp;ICV - Lecture during the Mentorship program at Bristol Photo Festival (UK)

The hard life of curating a photobook.&#38;nbsp;Street Level Gallery - Glasgow (UK)
2020
New Italian Talents - Pannel discussion introduced by Walter Guadagnini (Camera), Giangavino Pazzola (Futures), Elisa Medde (Foam Magazine), Italian Council - MIBaCT, Francesca Seravalle (curator). In occasion of the annyversary, 5 YEARS IN 5 DAYS CAMERA – Centro Italiano per la Fotografia (Turin)



Leaving Room &#124; At home with Francesca Seravalle.&#38;nbsp;Spazio Labo - Online interview

Better thief than Photographer - Lecturer at Officine Fotografiche (Rome)





2019The making of The Y with the author (Alba Zari) - Maxxi Museum (Rome, IT)




 










The hard life of a curator and researcher. Parallel Masterclass Milano, Symposium Curating Photography (IT)





The making of The Y with the author (Alba Zari) - Micamera (Milan, IT)


The making of The Y with the author (Alba Zari) - Les Rencontres d’Arles (Arles - FR)





Everything has its first time. Venice Film Festival, Venice (IT)
The History of the Photobook. The Phair, Italian Fair, on web tv, Turin (IT)Photobook experiences. University of South Wales, Cardiff (UK)How to curate a Photobook and a Photo Exhibition. Lecturer at City of Glasgow College (UK)How to curate a Photobook and a Photo Exhibition. Lecturer at University of the West of England, Bristol (UK)2018 
Women from Ca’ Pesaro. Venice Film Festival, Venice (IT)Everything has its first time. IUAV University of Architecture - Master of Photography (Venice, IT)Everything has its first time. Arnolfini Center of Contemporary Art, Bristol (UK)&#38;nbsp;
The making of Alex &#38;amp; Me show, panel with Tim Clark and James Pfaff, Street Level Gallery, Glasgow (UK)2017 
Until Proven Otherwise on the Evidence of the First Photos. Officine Fotografiche, Milan (IT)How to read an image apparently without subject. Les Rencontres d’Arles, Arles (FR)2016 
Women from Ca’ Pesaro. Museum of Modern Art, Ca’ Pesaro, Venice (IT)How to curate a Photo Exhibition. Flash Art Italy workshop, Milan (IT)Until Proven Otherwise on the Evidence of the First Photos. Wroclaw (PL)The making of Alex &#38;amp; Me book. ICA – International Center of Contemporary Art, Glasgow (UK)Until Proven Otherwise on the Evidence of the First Photos. And presenting Fabrica Editorial Gazeboo Photobook Festival – Puntasecca, Sicily (IT).Until Proven Otherwise on the Evidence of the First Photos. Les Rencontres d’Arles, Arles (FR)The making of Alex &#38;amp; Me book. with the author (James Pfaff) performing and painting. Les Rencontres d’ArlesUntil Proven Otherwise on the Evidence of the First Photos. Lynxs - Imaging the Past, Collecting th Future: Archive, Photography, Cinema, Museums” First International “LYNX Center for the Interdisciplinar Analysis of Images” Conference. School for Advanced Studies, Lucca (IT)Pixels and Squares. Brighton Festival of Art, Brighton (UK)2015 
Dalston Anatomy introduction to the exhibtion CNA, Centre National de L’Audiovisuel, Luxembourg (LU)How to read an image apparently without subject. Quad Center, Derby (UK)








	
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"Mind the step" #bridgebetween Duchamp / Muybridge / Richter



FRANCESCA SERAVALLEINDEPENDENT CURATOR - ARCHIVAL RESEARCHERcontact: francesca.seravalle@gmail.com
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