https://francescaseravalle.cargo.site francescaseravalle.com Wed, 07 Apr 2021 00:17:44 +0000 https://francescaseravalle.cargo.site en https://francescaseravalle.cargo.site/ABOUT Mon, 05 Aug 2019 15:25:44 +0000 francescaseravalle.com https://francescaseravalle.cargo.site/ABOUT LECTURER - VISUAL ARTIST BIO<img width="2048" height="1314" width_o="2048" height_o="1314" data-src="https://freight.cargo.site/t/original/i/2002526810676e516c8a8e56ac2cf431a2c9cafcc09c90ad589ffa3c8c83c5d4/12322902_10207796033671722_4244834055945520836_o.jpg" data-mid="48006238" border="0" src="https://freight.cargo.site/w/1000/i/2002526810676e516c8a8e56ac2cf431a2c9cafcc09c90ad589ffa3c8c83c5d4/12322902_10207796033671722_4244834055945520836_o.jpg" /> Subject to collect#1” #bridgebetween Christian Boltanski “Personnes” 2010 Michelangelo Pistoletto “Venere degli stracci” 1967 Erik Kessels “24 hours” 2011How much our contemporary society is influenced by photography and how much the photographic technic is influenced by the society? Photography is the daughter of Psyche and Techne, of the human necessity to communicate and to create a new device for “improving communication”. If photography was not used in everyday social life, and as primary media, it would be relocated to a specialized lab, as a microscope. Interpreting an archive is a matter of patience and intuition is above all asking the right questions. It’s about activating a collective memory. <img width="2006" height="1416" width_o="2006" height_o="1416" data-src="https://freight.cargo.site/t/original/i/c5359503e4a7c6a78ec8432bb6102fb8404d4f47933fe137952bf170bf4cfb17/Schermata-2021-04-06-alle-20.33.30.png" data-mid="104443278" border="0" src="https://freight.cargo.site/w/1000/i/c5359503e4a7c6a78ec8432bb6102fb8404d4f47933fe137952bf170bf4cfb17/Schermata-2021-04-06-alle-20.33.30.png" /> Venetian, award-winning independent curator majored with a first class degree in Conservazione dei Beni Culturali (Ca’ Foscari), she has studied in both Venice and Paris winning a University fellowship at Magnum Photos Paris’ archives. Over the past ten years she has worked as a producer for both exhibitions and books, supporting over sixty photographers including Koudelka and D’Agata. Francesca’s work is linked to the production of a number of projects for Magnum Photos, both in Paris and Milan. Her works as a curator, writer and researcher include Shining in absence book (AMC - Kessels); Mother Nature (RVB - Kessels); Dalston Anatomy by Lorenzo Vitturi book (SPBH) and shows in Europe (Foam Museum in Amsterdam, CNA Luxembourg, The Photographers’ Gallery in London, in Yossi Milo Gallery in New York and at IMA Gallery Tokyo); Alex &amp; Me by James Pfaff book (Montanari) and solo show at the Street Level Photoworks Gallery during the Festival Glasgow International 2018 and the new book Alex &amp; Me – Coda by James Pfaff (Montanari) 2018; The Y by Alba Zari book 2019 (Witty Kiwi) and show at Maxxi in Rome (October 2019).Francesca, previously leader of the group of curators and archival researchers at Fabrica of the Benetton Group, she is Tutor for Fashion, Art and Cultural Context BA at Istituto Marangoni (Manchester Metropolitan University) School of Fashion in London; Lecturer for the Photobook and SelfPublish BA course at London South Bank University. She supports artists and young creative in discovering their own style and in developing the concept and the layout of their book and exhibition. Her texts and curatorial works are published internationally by RVB, AMC, SPBH, Trolleybooks, Silvana Editrice, Montanari and Witty Kiwi. In 2015 with the “Until Proven Otherwise / On the Evidence of the First Photos”, exhibited at Format Festival, she won the Paul Hill Exposure FORMAT15 Award. The exhibition became an Open Air Museum and an Urban Intervention firstly in Bari in 2015, invited by Planar and than at Puntasecca in 2016 for Gazebook Festival. In November 2016 the project was exhibited with a new installation at the Wroclaw Museum to celebrate the European Capital of Culture. The obsession of the First Time continues in her curatorial practice with the project Everything has its FirstTime where Francesca digs up many archetypes of our contemporary society and transforms archival materials into conceptual art. Her new works include the exhibition Quantum Pixel at Brighton Festival of Art in 2016, the video Secret Communication, The First Onscreen Woman Orgasm at London Photo Fair 2016, at Venice Film Festival 2016 and at Photo Saint Germain, Paris 2017; Fabrica x Aquagranda at Fondazione Bevilacqua La Masa Gallery, Venice 2016; the video Women from Ca’ Pesaro commissioned and projected at Ca’ Pesaro, Museum of Modern Art of Venice, 2017 and at Venice Film Festival 2018. In September 2017 she was invited to do an audio performance for the collective POIUYT at UNSEEN Festival. In November 2018 she co-curated the exhibition representing the Venetian Heritage at SUZHOU DESIGN WEEK. She is actually working on “The Fist Photos – Polysemy of the primitive gesture” an archival and semiotic project. She currently lives in Venice and works worldwide.&nbsp; For Format Festival (Derby, UK), in March 2023, she curated The Performing Photobook a sensory and ASMR exhibition, with workshops and performance, and bookfair for Format23. In July 2023, in Gibellina on The Road Festival, she exhibited her project Magnification – A conscious act of seeing. www.thefirstphotos.comyoutube: everything has its first timelinktr.ee/francesca_seravalle contact: francesca.seravalle@gmail.com https://francescaseravalle.cargo.site/ARCHIVES Tue, 06 Aug 2019 16:04:05 +0000 francescaseravalle.com https://francescaseravalle.cargo.site/ARCHIVES ARCHIVES <img width="2048" height="1284" width_o="2048" height_o="1284" data-src="https://freight.cargo.site/t/original/i/fc214ca83ff722eb68d82dfe1a02d03d383f5bc94c29b8829a4d64a6cd97c093/IMG_1396_schiarito.jpg" data-mid="48429629" border="0" src="https://freight.cargo.site/w/1000/i/fc214ca83ff722eb68d82dfe1a02d03d383f5bc94c29b8829a4d64a6cd97c093/IMG_1396_schiarito.jpg" /> <img width="2048" height="1284" width_o="2048" height_o="1284" data-src="https://freight.cargo.site/t/original/i/de4852c6008b52930eb2139b19d86935125f904998a986acc2e6f8d85e029a99/13433195_953242334774856_345366711089540199_o.jpg" data-mid="48429756" border="0" src="https://freight.cargo.site/w/1000/i/de4852c6008b52930eb2139b19d86935125f904998a986acc2e6f8d85e029a99/13433195_953242334774856_345366711089540199_o.jpg" /> <img width="2048" height="1284" width_o="2048" height_o="1284" data-src="https://freight.cargo.site/t/original/i/123de9955d1dfe1fbcf03a60a23f10ff52d87f0dbb58484ae58646b6c0125e4d/14289867_1013679578731131_4007125816291711042_o.jpg" data-mid="48430498" border="0" src="https://freight.cargo.site/w/1000/i/123de9955d1dfe1fbcf03a60a23f10ff52d87f0dbb58484ae58646b6c0125e4d/14289867_1013679578731131_4007125816291711042_o.jpg" /> <img width="11531" height="6686" width_o="11531" height_o="6686" data-src="https://freight.cargo.site/t/original/i/5bea6f7eb215a06050025c11b057cbc1fe1f3dabfd8f11500355a6c8123c3ce9/Fist-mind-map-2-copy_HR.jpg" data-mid="48430346" border="0" src="https://freight.cargo.site/w/1000/i/5bea6f7eb215a06050025c11b057cbc1fe1f3dabfd8f11500355a6c8123c3ce9/Fist-mind-map-2-copy_HR.jpg" /> <img width="1134" height="841" width_o="1134" height_o="841" data-src="https://freight.cargo.site/t/original/i/5380c763261a60ace62a3225942ebbc8541897460dd9d58fb7b6037c4f6318e2/Act-of-seeing.jpg" data-mid="185779286" border="0" src="https://freight.cargo.site/w/1000/i/5380c763261a60ace62a3225942ebbc8541897460dd9d58fb7b6037c4f6318e2/Act-of-seeing.jpg" /> <img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/e4e18de728387a1e2d1338a3209458575b9844d947aa7b8b95085407bfba7128/PROVA_-2.jpg" data-mid="48430396" border="0" src="https://freight.cargo.site/w/1000/i/e4e18de728387a1e2d1338a3209458575b9844d947aa7b8b95085407bfba7128/PROVA_-2.jpg" /> Projects based on Archival materials Magnification Until Proven Otherwise on The Evidence of the First Photos The Fist Photos Everything has its First Time Shining in Absence Alex &amp; Me FabricaXAquagranda Sposami&nbsp; Secret Communication Woman from Ca’ Pesaro Foodromance Interviews given about Archives PHMuseum digital show Francesca Seravalle: On the Polysemy of the FistColin Pantall’s blog Francesca Seravalle and the hidden language of the archive Colin Pantall&nbsp; text&nbsp;Installing The First Photos in Gazebook Alejandro Acin ATA: Introducing Francesca Seravalle Amano Photographic Studies&nbsp;Activating the Archive Arnolfini Bristol 5’th May 2018 Urbanautica Francesca Orsi: Francesca Seravalle: The First Photos Archivist My first work in Photography fields was in archives, I worked as archivist in the first period of digitalisation, cataloguing ancient reviews of Photography, archiving photobooks, photographs and personal correspondences between photographers and gallery managers, with the national program system and studying the structures of the archives.&nbsp; Magnum Photos (Paris - FR) CRAF Centro Ricerca Archiviazione Fotografia (Spilimbergo - IT) SuperStock (London - UK) I’ve collaborated with the following Institutions, doing private and research on commission for exhibitions, books and exhibition. My mission is to give a contemporary visibility to the archival materials. And I’ve coordinated the department of Curator &amp; Archival Research between of Fabrica Communication’s Centre of Benetton Group (IT) the 2016-2017 The Archive of Modern Conflict (UK) Fondazione Corriere della Sera (IT) Fototeca Ando Gilardi (IT) National Media Museum (UK) V&amp;A (UK) Museo di Arte Moderna di Venezia, Ca’ Pesaro (IT) Most of my personal projects, like the Research of the First Photos are based on archival materials, specially in International Open Data archives. List of Online Archives consulted:&nbsp; Berkeley University Digital Library British LibraryBFI Institute LumièreIstituto Luce La Société Française de la Photographie Library of Congress NASA Archive Museum of Modern Art Archives Smithsonian Institution Archives The Franklin Institute The Getty Research Institute Open Content Images The George Eastman MuseumThe Internet Archive The Metropolitan Museum’s Open Access (OASC)The Royal Photography Society The Russian Archive The Talbot Museum The United States Holocaust Memorial Museum Yale University Online Digital Collections https://francescaseravalle.cargo.site/ASMR Sun, 22 Oct 2017 21:45:25 +0000 francescaseravalle.com https://francescaseravalle.cargo.site/ASMR <img width="300" height="550" width_o="300" height_o="550" data-src="https://freight.cargo.site/t/original/i/3fbad664df92cab86ad293198bb9da664127836c52162da90e19ca1bfcb146f7/ASMR.jpg" data-mid="205424774" border="0" src="https://freight.cargo.site/w/300/i/3fbad664df92cab86ad293198bb9da664127836c52162da90e19ca1bfcb146f7/ASMR.jpg" /> ASMR PERFORMANCETHE HANDS OF THE CURATORUNSEEN PHOTO FAIR 201721 SEPTEMBER AMSTERDAMPOIUYT RADIO ASMR provoking performance about the actual photobook situation. Where is going the photobook market? How a curator analyzes a photobook? By the story? By the editing? By the text? By the sequence? By the subject? By the photographer? By the publisher? By the photos? By the graphics? By the binding? By the paper? How much attention and time we give to all these factors when we are turning the pages? Are all the hands similar? Which hands you wish to flip your book? When you turn the pages of a photobook do you prefer the total silence or a vocal intervention of the author? How many books are made for general interest or for personal interest? Are you able to recognize a book by the sound of the touring of its pages? How many seconds do you dedicate to turn the pages of a book? This will be the first audio book of a photobook Festival, playing with the limits of photography, joking about the glamour trend of the contemporary photography, and the easy trend of a deictic communication based on the hand fetishism. Is still a photographic project when a photobook is invisible? Can the power of the sound of the touch give you the vision of the photobook? THE ASMR PHOTOBOOKFORMAT INTERNATIONAL FAIR 2023THE PERFORMING PHOTOBOOK &amp; MARKET Graphic in collaboration with AskAgain&nbsp; <img width="3969" height="11339" width_o="3969" height_o="11339" data-src="https://freight.cargo.site/t/original/i/523a4e7f7e6214ffdbc18658cdb18252372b8a98349f7b59983c5bfe6890b4aa/BANNER-ASMR-_-BANNER-QUESTION.jpg" data-mid="205425993" border="0" src="https://freight.cargo.site/w/1000/i/523a4e7f7e6214ffdbc18658cdb18252372b8a98349f7b59983c5bfe6890b4aa/BANNER-ASMR-_-BANNER-QUESTION.jpg" /> <img width="4896" height="3264" width_o="4896" height_o="3264" data-src="https://freight.cargo.site/t/original/i/662dcd2df044dd7a5dd4c41b5536f8a6c0ca4e475fbdaed4ec6ccc8d153cfbe8/ASMR_UNSEEN.jpg" data-mid="5580959" border="0" src="https://freight.cargo.site/w/1000/i/662dcd2df044dd7a5dd4c41b5536f8a6c0ca4e475fbdaed4ec6ccc8d153cfbe8/ASMR_UNSEEN.jpg" /> https://francescaseravalle.cargo.site/BOMBS Wed, 07 Apr 2021 00:17:44 +0000 francescaseravalle.com https://francescaseravalle.cargo.site/BOMBS &nbsp; &nbsp;BOMBS <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/69fe615cb7ceb7c6ea6a066eb2ba5766fa7560bd18059ca8bf998ba0b3327222/ICV.016.jpeg" data-mid="104471069" border="0" src="https://freight.cargo.site/w/1000/i/69fe615cb7ceb7c6ea6a066eb2ba5766fa7560bd18059ca8bf998ba0b3327222/ICV.016.jpeg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/989a79e57781abd954b6b8c67f9d5554340e98cc0c5bdb3c87c91a5c4cca6a88/ICV.018.jpeg" data-mid="104471073" border="0" src="https://freight.cargo.site/w/1000/i/989a79e57781abd954b6b8c67f9d5554340e98cc0c5bdb3c87c91a5c4cca6a88/ICV.018.jpeg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/028af6f1c6c8f25ff00b338805fe2d5cc6b7404e84596d4a7d9ca1d1b10312e5/ICV.017.jpeg" data-mid="104471074" border="0" 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https://francescaseravalle.cargo.site/BOOKS Mon, 23 Oct 2017 13:53:02 +0000 francescaseravalle.com https://francescaseravalle.cargo.site/BOOKS BOOKS <img width="960" height="639" width_o="960" height_o="639" data-src="https://freight.cargo.site/t/original/i/3b4c72ae80a4ec34f0f669c407e43d1e96936a138acdeac2bb4b3ca143df7eb9/color_proof_checking.jpg" data-mid="9914283" border="0" src="https://freight.cargo.site/w/960/i/3b4c72ae80a4ec34f0f669c407e43d1e96936a138acdeac2bb4b3ca143df7eb9/color_proof_checking.jpg" /> <img width="837" height="561" width_o="837" height_o="561" data-src="https://freight.cargo.site/t/original/i/b315c23ef4dd2a2cf0652f530fa3247e3ba482de175460ccf0881337e9be5ed1/9982-26fd845c72624f6493ef88bd7e00efa9.jpeg" data-mid="48231323" border="0" src="https://freight.cargo.site/w/837/i/b315c23ef4dd2a2cf0652f530fa3247e3ba482de175460ccf0881337e9be5ed1/9982-26fd845c72624f6493ef88bd7e00efa9.jpeg" /> <img width="837" height="561" width_o="837" height_o="561" 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width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ddcc4fbaa5070d85f3a7a37c22e5bcb747a90a60f5b2b43c08f2ddbf3c493c1e/Era-Mare-8442.jpg" data-mid="97239326" border="0" src="https://freight.cargo.site/w/1000/i/ddcc4fbaa5070d85f3a7a37c22e5bcb747a90a60f5b2b43c08f2ddbf3c493c1e/Era-Mare-8442.jpg" /> <img width="2000" height="1600" width_o="2000" height_o="1600" data-src="https://freight.cargo.site/t/original/i/d1e9f8c67be07e4b301ffc345c50c458e6626e1f2dd60fca68163e725191db4e/Era-Mare-8434-2.jpg" data-mid="97239325" border="0" src="https://freight.cargo.site/w/1000/i/d1e9f8c67be07e4b301ffc345c50c458e6626e1f2dd60fca68163e725191db4e/Era-Mare-8434-2.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5a6f9d08a3b2ddd68c6da25f7f9628275e43d48e987f68bd87591d2e3fb007f6/ICV.153.jpeg" data-mid="104469963" border="0" src="https://freight.cargo.site/w/1000/i/5a6f9d08a3b2ddd68c6da25f7f9628275e43d48e987f68bd87591d2e3fb007f6/ICV.153.jpeg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/06495a002c3c1d5aef9cb05cf8c2ab2455daab8def06917859b06b6564c28922/Era-Mare-8460.jpg" data-mid="97239328" border="0" src="https://freight.cargo.site/w/1000/i/06495a002c3c1d5aef9cb05cf8c2ab2455daab8def06917859b06b6564c28922/Era-Mare-8460.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/20c3a59b5821128b4fa7d8a521f1e8e9031da489f32656d68dd5ffcf5542c094/Era-Mare-8459.jpg" data-mid="97239327" border="0" src="https://freight.cargo.site/w/1000/i/20c3a59b5821128b4fa7d8a521f1e8e9031da489f32656d68dd5ffcf5542c094/Era-Mare-8459.jpg" /> Curating an art book means working with the artist from the concept, the design, the editing, the production, to the promotion&nbsp;of the book. I collaborate even as researcher and as writer of essays. The books are published by&nbsp;RVB (FR), AMC (UK), SPBH (UK), Trolleybooks (UK), Witty kiwi (IT), Silvana Editrice (IT). I have even a background as project manager for cultural and corporate books with Magnum and many Festivals of photography. Since January 2019 I’m Visiting Lecturer at London South Bank University Art and Creative Industries -&nbsp;for the course Photobook and Selfpublishing Lens Culture Favorite Photobooks of 2018 nominator Era Mare photographs by Matteo de Mayda, designed and published by bruno 2019. Text writer. The Y&nbsp; artbook by Alba Zari, Witty Kiwi (IT) 2019. Curator of the project (research started at Fabrica and book). Writer of the Text. Alex &amp; Me - Coda,&nbsp; artbook by James Pfaff; Danilo Montanari Editore (IT) 2018. Curator and Art director.Nekya by Rocco Venezia; Witty Kiwi (IT) 2017. Writer. Alex &amp; Me artbook by James Pfaff; Danilo Montanari Editore (IT)2016. Curator and Art director. Shining in Absence artbook with archival material, Published by Archive of Modern Conflict (UK) curated by Erik Kessels, 2015. Concept &amp; Archival researcher. Mother nature, artbook published by RVB (FR), curated by Erik Kessels, 2015. Writer. Dalston Anatomy by Lorenzo Vitturi SPBH (UK). 2013. Curator, project manager. L’Italia e gli Italiani, nell’obiettivo dei fotografi Magnum (Majoli, Gilden, Pellegrin, Subotzky, Kalvar, Anderson, Power, Wylie, Gruyaert) published by Silvana editrice, 2011. Project manager, text editor. Bracco / Magnum Photos - Pinkassov, Marlow, Power, Gruyaert and Gaumy. Social Report for Bracco, assistant producer, text editor. Blanco by Stefano De Luigi VII Agency. Texts by Philippe Dagen and Giovanna Calvenzi, quotes from José Saramago. POYi Best Photography Book Award, published by Trolleybook (UK) 2010. Assistant producer, text editor. SKY, Racconto per immagini (Stefano De Luigi – VII; Giovanni Cocco – VII; Samuele Pellecchia – Prospekt). Annual Report for SKY. Project manager, photo and text editor. Attraverso la finestra by Giorgio Barrera LUZ Agency, published by ZoneAttive - Municipality of Rome.&nbsp;2009 Assistant producer, text editor. La Gioia / FotoGrafia, Festival Internazionale di Roma, (Nan Goldin, Guy Tillim, Gerard Rancinan, Alejandro Chaskielberg, Riccardo Venturi, Euvgen Bavcar ...) published by ZoneAttive - Municipality of Rome. Festival catalogue, assistant producer, photo and text editor. DUANE MICHALS 50, Admira Edizioni.&nbsp;2008 Exhibition catalogue for Scavi Scaligeri Museum, Verone. Assistant producer. Foto &amp;Photo 2008 / Biennale Internazionale di Fotografia (Martin Munkacsi, Jacques Henri Lartigue, Pedro Meyer, Max Pam, Matias Costa, Franco Pagetti (VII) and Mario De Biasi…), Admira Edizioni. Festival catalogue, assistant producer, photo and text editor. Josef Koudelka by Josef Koudelka, published by Torst (CZ) 2007. Assistant producer, photo editing assistant. L’image d’apres le cinema dans l’imaginaire de la photographie / Magnum Photos 2006 ed. STEIDL. Assistant producer. https://francescaseravalle.cargo.site/COLLABORATIONS Thu, 01 Aug 2019 15:01:01 +0000 francescaseravalle.com https://francescaseravalle.cargo.site/COLLABORATIONS COLLABORATIONS <img width="2006" height="1416" width_o="2006" height_o="1416" data-src="https://freight.cargo.site/t/original/i/c5359503e4a7c6a78ec8432bb6102fb8404d4f47933fe137952bf170bf4cfb17/Schermata-2021-04-06-alle-20.33.30.png" data-mid="122753187" border="0" src="https://freight.cargo.site/w/1000/i/c5359503e4a7c6a78ec8432bb6102fb8404d4f47933fe137952bf170bf4cfb17/Schermata-2021-04-06-alle-20.33.30.png" /> <img width="2423" height="2423" width_o="2423" height_o="2423" data-src="https://freight.cargo.site/t/original/i/a511781b6cab3aa92c0d87f1fb04509f44c7cebe9770778a4b8494cfb7a88952/IMG-2631-copy.jpg" data-mid="47854318" border="0" src="https://freight.cargo.site/w/1000/i/a511781b6cab3aa92c0d87f1fb04509f44c7cebe9770778a4b8494cfb7a88952/IMG-2631-copy.jpg" /> ISTITUTO MARANGONI, LONDON (UK)Tutor at Istituto Marangoni International School of Fashion - LondonFashion Styling – Fashion, Art and Cultural Context www.istitutomarangoni.com London South Bank University (UK) Lecturer at London South Bank University Art and Creative Industries - Photobook and Selfpublishing www.lsbu.ac.uk FABRICA - BENETTON GROUP's communication research centre (IT)Curator &amp; Archival researchers coordinator&nbsp; www.fabrica.it ECAL University of Art and Design Lausanne (CH)Pre-jury thesis Master University of the West of England - Bristol (UK)Visiting Lecturer University of South Wales - Cardiff (UK)Visiting Lecturer City of Glasgow College (UK)Visiting Lecturer ARCHIVE OF MODERN CONFLICT (UK) Researcher VOGUE (IT)Portfolio reviewer - PhotoVogue KESSELSKRAMER (NL)Talent scout and Text contributor UNSEEN PHOTO FAIR (NL)Perfromance MAGNUM PHOTOS (FR)Archivist and project manager VII AGENCY (US)Archivist and project manager FONDAZIONE VENEZIA 2000 (IT)Curator MUSEI CIVICI DI VENEZIA (IT) Curator and video artist https://francescaseravalle.cargo.site/CONFERENCES-1 Mon, 05 Aug 2019 13:34:19 +0000 francescaseravalle.com https://francescaseravalle.cargo.site/CONFERENCES-1 CONFERENCES <img width="1700" height="1133" width_o="1700" height_o="1133" data-src="https://freight.cargo.site/t/original/i/ba4cd447264af77e72638e477ed4388609cc00b1cd28611ee74c99542444ea5d/30420227_1742298672512732_235389181461569693_o.jpg" data-mid="47998797" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/ba4cd447264af77e72638e477ed4388609cc00b1cd28611ee74c99542444ea5d/30420227_1742298672512732_235389181461569693_o.jpg" /> <img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/cac7c8accd7e970eb4c3594077dc0aac7f38791e8c3056d7da63f4f35bf75354/32089149_1655194517932235_7250544823084515328_o.jpg" data-mid="47998812" border="0" src="https://freight.cargo.site/w/1000/i/cac7c8accd7e970eb4c3594077dc0aac7f38791e8c3056d7da63f4f35bf75354/32089149_1655194517932235_7250544823084515328_o.jpg" /> <img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/2663e154eeef5de48b1221a1503bb1f2ae1353fb38019c8d406121f38e281411/13653200_10208719900927826_1169052620169362547_o.jpg" data-mid="47998814" border="0" src="https://freight.cargo.site/w/1000/i/2663e154eeef5de48b1221a1503bb1f2ae1353fb38019c8d406121f38e281411/13653200_10208719900927826_1169052620169362547_o.jpg" /> <img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/34c2d12b524ac8a1edbc8f897ac00222ff445aeb98f0a6e76367ded131c80ab2/DSC_9411.JPG" data-mid="157433303" border="0" src="https://freight.cargo.site/w/1000/i/34c2d12b524ac8a1edbc8f897ac00222ff445aeb98f0a6e76367ded131c80ab2/DSC_9411.JPG" /> 2022 Limited edition. Paolo Ventura and the artist’s photobook. Curator and presentation, Book Festival, Pordenone Legge, Pordenone (IT) #FEELINGVENICE Presentation of the sensory archive of the Venice lagoon (video, audio ASMR, photographs, installations and olfactory performance) conceived and edited for the Vittorio Cini Archive. 79th Venice International Film Festival, Lido of Venice. (IT) CV FORUM 2022 - The management of artistic and cultural assets for the growth and relaunch of the country system. Presentation of Feeling Venice. M9 Auditorium - Museum of the 20th century. Better thief than Photographer - The archive and the art of copying as an artistic process. Master in Authorial Photography by Augusto Pieroni Officine Fotografiche (Rome) 2021 Almanac of Suspension. Visual Archive of the pandemic. With Davide Giannella, Leonardo Merlini, Francesca Seravalle and Matteo Balduzzi. Triennale Milano / BookCity Milan Festival (IT) Presenting the platform The Editorialistmade with Arte-Mide winning project of Upskill contest, realized with ITS and supported by University of Iuav, Ca' Foscari University, Fondazione di Venezia at M9 Museum (IT)&nbsp; &nbsp; &nbsp; The hard life of curating a photobook.&nbsp;ICV - Lecture during the Mentorship program at Bristol Photo Festival (UK) The hard life of curating a photobook.&nbsp;Street Level Gallery - Glasgow (UK) 2020 New Italian Talents - Pannel discussion introduced by Walter Guadagnini (Camera), Giangavino Pazzola (Futures), Elisa Medde (Foam Magazine), Italian Council - MIBaCT, Francesca Seravalle (curator). In occasion of the annyversary, 5 YEARS IN 5 DAYS CAMERA – Centro Italiano per la Fotografia (Turin) Leaving Room | At home with Francesca Seravalle.&nbsp;Spazio Labo - Online interview Better thief than Photographer - Lecturer at Officine Fotografiche (Rome) 2019The making of The Y with the author (Alba Zari) - Maxxi Museum (Rome, IT) The hard life of a curator and researcher. Parallel Masterclass Milano, Symposium Curating Photography (IT) The making of The Y with the author (Alba Zari) - Micamera (Milan, IT) The making of The Y with the author (Alba Zari) - Les Rencontres d’Arles (Arles - FR) Everything has its first time. Venice Film Festival, Venice (IT) The History of the Photobook. The Phair, Italian Fair, on web tv, Turin (IT)Photobook experiences. University of South Wales, Cardiff (UK)How to curate a Photobook and a Photo Exhibition. Lecturer at City of Glasgow College (UK)How to curate a Photobook and a Photo Exhibition. Lecturer at University of the West of England, Bristol (UK)2018 Women from Ca’ Pesaro. Venice Film Festival, Venice (IT)Everything has its first time. IUAV University of Architecture - Master of Photography (Venice, IT)Everything has its first time. Arnolfini Center of Contemporary Art, Bristol (UK)&nbsp; The making of Alex &amp; Me show, panel with Tim Clark and James Pfaff, Street Level Gallery, Glasgow (UK)2017 Until Proven Otherwise on the Evidence of the First Photos. Officine Fotografiche, Milan (IT)How to read an image apparently without subject. Les Rencontres d’Arles, Arles (FR)2016 Women from Ca’ Pesaro. Museum of Modern Art, Ca’ Pesaro, Venice (IT)How to curate a Photo Exhibition. Flash Art Italy workshop, Milan (IT)Until Proven Otherwise on the Evidence of the First Photos. Wroclaw (PL)The making of Alex &amp; Me book. ICA – International Center of Contemporary Art, Glasgow (UK)Until Proven Otherwise on the Evidence of the First Photos. And presenting Fabrica Editorial Gazeboo Photobook Festival – Puntasecca, Sicily (IT).Until Proven Otherwise on the Evidence of the First Photos. Les Rencontres d’Arles, Arles (FR)The making of Alex &amp; Me book. with the author (James Pfaff) performing and painting. Les Rencontres d’ArlesUntil Proven Otherwise on the Evidence of the First Photos. Lynxs - Imaging the Past, Collecting th Future: Archive, Photography, Cinema, Museums” First International “LYNX Center for the Interdisciplinar Analysis of Images” Conference. School for Advanced Studies, Lucca (IT)Pixels and Squares. Brighton Festival of Art, Brighton (UK)2015 Dalston Anatomy introduction to the exhibtion CNA, Centre National de L’Audiovisuel, Luxembourg (LU)How to read an image apparently without subject. Quad Center, Derby (UK) https://francescaseravalle.cargo.site/CONTACTS Mon, 05 Aug 2019 15:44:49 +0000 francescaseravalle.com https://francescaseravalle.cargo.site/CONTACTS CONTACTS<img width="2223" height="827" width_o="2223" height_o="827" data-src="https://freight.cargo.site/t/original/i/25902c65b9989e4d8027c64da9cbf9d9036b6c1af4dc09c6f1f8f20e9cfcf2da/17311134_10211055892886165_2229550401999956539_o.jpg" data-mid="48007423" border="0" src="https://freight.cargo.site/w/1000/i/25902c65b9989e4d8027c64da9cbf9d9036b6c1af4dc09c6f1f8f20e9cfcf2da/17311134_10211055892886165_2229550401999956539_o.jpg" /> "Mind the step" #bridgebetween Duchamp / Muybridge / Richter FRANCESCA SERAVALLEINDEPENDENT CURATOR - ARCHIVAL RESEARCHERcontact: francesca.seravalle@gmail.com www.thefirstphotos.comyoutube: everything has its first timeinstagram&nbsp; itsfirsttime https://francescaseravalle.cargo.site/DALSTON-ANATOMY-BOOK Tue, 23 Jan 2018 18:40:17 +0000 francescaseravalle.com https://francescaseravalle.cargo.site/DALSTON-ANATOMY-BOOK <img width="837" height="561" width_o="837" height_o="561" data-src="https://freight.cargo.site/t/original/i/c5d3ab18c081cde364987cb5f98f163fcdf94f4f5c00d29d5fc2b440534b47bf/9982-40dfac71d25741a2813143b0c28a00fa_1728x.jpg" data-mid="48356891" border="0" data-scale="100" src="https://freight.cargo.site/w/837/i/c5d3ab18c081cde364987cb5f98f163fcdf94f4f5c00d29d5fc2b440534b47bf/9982-40dfac71d25741a2813143b0c28a00fa_1728x.jpg" /> <img width="837" height="561" width_o="837" height_o="561" data-src="https://freight.cargo.site/t/original/i/eeec770c0f006ce266840a93f1bbc509d7937d558ad588ece5ffaaef6bae80bd/9982-61966602f9d041fd910488bc39762fc4_1728x.jpg" data-mid="48356890" border="0" src="https://freight.cargo.site/w/837/i/eeec770c0f006ce266840a93f1bbc509d7937d558ad588ece5ffaaef6bae80bd/9982-61966602f9d041fd910488bc39762fc4_1728x.jpg" /> <img width="837" height="561" width_o="837" height_o="561" data-src="https://freight.cargo.site/t/original/i/b72114b4fd3915108bad8266016077361a7a828f92a72e25a24b214e87226e48/5.jpeg" data-mid="9864308" border="0" src="https://freight.cargo.site/w/837/i/b72114b4fd3915108bad8266016077361a7a828f92a72e25a24b214e87226e48/5.jpeg" /> <img width="837" height="561" width_o="837" height_o="561" data-src="https://freight.cargo.site/t/original/i/e024686ecf4d3c80b07c757b75fbdf1afe492b55319792185e05eff61fc1a04f/9982-728919d49b1446b594e2f577cbbe87fb_1728x.jpg" data-mid="48356895" border="0" src="https://freight.cargo.site/w/837/i/e024686ecf4d3c80b07c757b75fbdf1afe492b55319792185e05eff61fc1a04f/9982-728919d49b1446b594e2f577cbbe87fb_1728x.jpg" /> <img width="837" height="561" width_o="837" height_o="561" data-src="https://freight.cargo.site/t/original/i/b315c23ef4dd2a2cf0652f530fa3247e3ba482de175460ccf0881337e9be5ed1/9982-26fd845c72624f6493ef88bd7e00efa9.jpeg" data-mid="9864392" border="0" src="https://freight.cargo.site/w/837/i/b315c23ef4dd2a2cf0652f530fa3247e3ba482de175460ccf0881337e9be5ed1/9982-26fd845c72624f6493ef88bd7e00efa9.jpeg" /> <img width="837" height="561" width_o="837" height_o="561" data-src="https://freight.cargo.site/t/original/i/01cce0d54279a8794d4ba617cad70f85759d94819f0f74af4b856cf449fe8422/9.jpeg" data-mid="9864310" border="0" src="https://freight.cargo.site/w/837/i/01cce0d54279a8794d4ba617cad70f85759d94819f0f74af4b856cf449fe8422/9.jpeg" /> <img width="837" height="561" width_o="837" height_o="561" data-src="https://freight.cargo.site/t/original/i/2d201dca123bb95eadabd531e485811a7cdc2f4bd76215229803810071ba7b37/8.jpeg" data-mid="9864309" border="0" src="https://freight.cargo.site/w/837/i/2d201dca123bb95eadabd531e485811a7cdc2f4bd76215229803810071ba7b37/8.jpeg" /> DALSTON ANATOMY BY LORENZO VITTURIPUBLISHED BY SPBHCurated by Francesca Seravalle Shortlisted for the Dummy Award 13 at Fotobookfestival Kassel Selected as one of the Best Photobooks of 2013 by Martin Parr, Erik Kessels, Tom Claxton, Alec SothNominated, First PhotoBook, Aperture Foundation, New YorkNominated, First Book Award, MACK, London, UK 2014 &nbsp; Dalston Anatomy, 2nd edition, Self Publish Be Happy Editions, London, UK2013 &nbsp; Dalston Anatomy, 1st edition, Self Publish Be Happy Editions, London, UK &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Dusk Steals Daylight/ Dalston Anatomy, in collaboration with Sam Berkson, Fishbar Gallery, London, UK PRESS REVIEWS 2015Picture Perfect at Viasaterna, Mousse MagazineSchuman, Aaron, Construction Sight, Frieze Magazine, Issue 170 Rice, Cory, Lorenzo Vitturi: Precarious arrangements, Musée Magazine Glaviano, Alessia, video interview with Lorenzo Vitturi, Vogue Italia Pill, Steve, A still-life love-letter to an East London lost to money, British Journal of Photography Jobey, Liz, Why photobooks are booming in a digital age, Financial Times Groupthink: The Best Group Exhibitions From Beirut to Beijing, Huffington Post Trotter, Emma, The art of assemblage, Trend Tablet 2014 Knoblauch, Loring, Lorenzo Vitturi Dalston Anatomy, Collector Daily Brown, Thomas, Ridley Road atomised – Lorenzo Vitturi: a Dalston Anatomy, Dry Magazine Feuerhelm, Brad, An interview with Lorenzo Vitturi, ASX Labro, Camille, Au marché... Vibrant Aligre, Le Monde Magazine Sammut, Julia, Au marché... Le Souk du capucin, Le Monde Magazine Coridian, Boris, Au Marché... Les tentations de Saint-Antoine, Le Monde Magazine Fishwick, Sam, Lorenzo Vitturi: Life and art in Dalston, Hackney Post Roalf, Peggy, Lorenzo Vitturi’s Dalston, AI-AP / Dart Stopin, Raphaelle, Lorenzo Vitturi, Dalston Anatomy Interview, Jeu de Paume Magazine Wilson, Antonia, Hyères Festival 2014, Creative Review Mercier, Clementine, Poudre Aux Yeux, Libération Wilson, Antonia, Creative Review, Hyères Festival 2014 Tran, Duc, Lorenzo Vitturi remporte Grand Prix Photographie du festival d’Hyerès 2014, Essential Homme Le Magazine Karallis, Patricia, Studio visit: Lorenzo Vitturi, Paper Journal Dragonea, Danai, Photographing the ephemeral in Dalson’s Ridley Road Market, Vice MagazineBurley, Isabella, Taking Margiela’s Artisanal Colleciton to Kingsland Road, Dazed Falzone, Fabio, Interview with photographer Lorenzo Vitturi, winner of the jury prize at Hyerès 2014, Lancia Trend Visions Galli Marta, Lorenzo Vitturi’s “Dalston Anatomy” book launch at Le Dictateur, Milan, Purple Magazine Lorenzo Vitturi, Dalston Anatomy, Wall Street International Coomer, Martin, Lorenzo Vitturi: interview, Time OutGurney-Read, Abigail, Brilliant things to do in August, Another Magazine Steward, Sue, Lorenzo Vitturi: Dalston Anatomy, Photographers’ Gallery exhibition review, The Evening Standard Ososki, Lula, Catch Lorenzo Vitturi's raw, colour-rich ode to Dalston, Dazed Digital Goldberg, Karen, Lorenzo Vitturi: Dalston Anatomy, Art Review Un italiano a Londra, le fotografie di Lorenzo Vitturi, Sky Arte Wilson, Antonia, Taking pictures #1: photography from Edward Steichen, Viviane Sassen, Laura Stevens, Dougie Wallace &amp; more… Creative Review Lorenzo Vitturi Dalston Anatomy at Yossi Milo Gallery, Musée Magazine 2013 Wender, Jessie, 12 reasons to check out the New York art book fair, The New Yorker Show and tell: Lorenzo Vitturi, HungerStasiuk, Tilly, Riddles of the Market: Lorenzo Vitturi’s art tells story of Ridley Road, Hackney CitizenGalavan, Francesca Seravalle, Anatomy of fruit, Damn Magazine Soth, Alec, Popsicle #38: Dalston Anatomy by Lorenzo Vitturi, Little Brown Mushroom Clark, Tim, pictured #11: Lorenzo Vitturi, a Dalston Anatomy, a-nBell, Adam, Dalston Anatomy, Paper Journal Kessels, Erik, Lorenzo Vitturi, Dalston Anatomy reviewed by Erik Kessels, Photobookstore Magazine Laurent, Olivier, The best photo books of the year: Martin Parr takes his pick, The British Journal of Photography Soth, Alec, Alec Soth: my top 10 photo books of 2013, The Telegraph O’Hagan, Sean, The best photography of 2013: Sean O'Hagan's choice, The Guardian Farrell, Lisa, Lorenzo Vitturi captures the vibrancy of Dalston's Ridley Road Market, It’s Nice ThatBlight, Daniel, In a changing market: an interview with Lorenzo Vitturi on Dalston Anatomy, The Photographers Gallery Blog Tsjeng, Zing, The best photography books of 2013, Dazed Digital Cargil, Clinton,The top 10 photo books of 2013, The New York Times Magazine &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp; https://francescaseravalle.cargo.site/DALSTON-ANATOMY-SHOW Tue, 23 Jan 2018 17:28:52 +0000 francescaseravalle.com https://francescaseravalle.cargo.site/DALSTON-ANATOMY-SHOW <img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/a4dc7da5f6bce7167b83da5ffeb5a0ceca37b00aad6b41f66a487ddb46d6b5fd/Lorenzo_Vitturi_1_Kate-Elliott1.jpg" data-mid="47794367" border="0" src="https://freight.cargo.site/w/900/i/a4dc7da5f6bce7167b83da5ffeb5a0ceca37b00aad6b41f66a487ddb46d6b5fd/Lorenzo_Vitturi_1_Kate-Elliott1.jpg" /> DALSTON ANATOMY SOLO SHOW BY LORENZO VITTURI Curator and Project Manager FRANCESCA SERAVALLEI collaborated with the artist Lorenzo Vitturi since the first shooting curating and supporting the development of the project, from the book to the touring exhibition. Every location requested a new design in order to create every time a set specific exhibition to fit perfectly with space. The exhibition has been designed to inspire continuous visual stimulation to the visitors. 2015 Yossi Milo Gallery New York, solo show Hyeres - Festival Internazionale della Moda (FR), 1° Prize Award CNA – Centre National de L’Audiovisuel – Luxembourg, solo show 2014 IMA Gallery Tokyo - solo show 2014 The Photographers’ Gallery - Londra, solo show Deutsche Börse Photography Foundation Prize - nominated artist, 2015 2013 Foam Museu Unseen Photoshock V&amp;A Photoshock&nbsp; For the past year, Lorenzo Vitturi has been fascinated by the Ridley Road Market in East London. It’s a multicultural market where West African vegetables meet Caribbean fruits, and Asiatic fishes meet English apples. It takes place every day in the heart of Dalston, where London’s new creative generation is, step-by-step, intermingling with the African culture. Vitturi wants to save retain an image of this authentic society before gentrification sets in and this poor area is totally converted into a place for the rich. So he photographs the people there and collects all kind of organic objects and matter, and takes them back to his studio. Black-eyed beans, nyanya chungu, smoked barracuda, azü from Gambia, soro wisa, ashanti piper guineense, schotch bonnet, ogede, plantain leaves, onion alïbasa, white round summer squash, cassava, beetroot, pink peppers, English apples, ose, and petite kola. Each item in the photos has a story to tell, a long intercontinental journey behind it. Most have come from different corners of Asia, West Africa, Niger, Nigeria, Ivory Coast, Ghana, Guinea, Liberia, and Sierra Leone, bringing the tastes and fragrances of home to the African community in London. They represent the resistance of the African food tradition to the globalisation of big supermarket chains. In the market, everything from the micro to the macro appears related – objects to people; people to spaces; and spaces to objects, in an endless chain of likenesses. Everything belongs together, as if all theelements had chosen one another. Day after day, the people and the colours in the market seemed to Vitturi to have their own order and harmony, and the&nbsp; hidden connections became clear, transposed into a fruit-installation in progress. The banana, with its onion nose and pepper coiffure, resembles the profile of the hybrid people living in this multi-ethnic area. The dried rolled up barracuda from Thailand perched on an unstable pile of rotten English apples is reminiscent of a metallic necklace on a nobby neck. Vitturi carried out anatomical research on decomposition and re-composition, attempting to recreate the same explosive and precarious beauty that inspired him in the first place. The market is considered a physical identity, a body; subdivided by shape and colour. Afterwards, in his studio, applying a scientific with visionary approach, Vitturi reconstructed new&nbsp; anatomies, having studied the systems and functions&nbsp; through dissection and analysis of the single parts. At the Ridley Road market, every day is like a closed circle of life. The morning consists of the building of the stall, the daytime of the exposing of fruits, and then comes the decay, and the closing of the market at night. The beauty of decay belongs to the aesthetic of Lorenzo Vitturi, who was born in beautiful and decadent Venice. Decay is the quality he attempts to recreate in real life in the studio. This research is also about finding the perfect moment before destruction sets in. These sculptures are temporary; they cannot last more than a few minutes or hours. This is the biological process, the life of an installation. The photograph is the last step in this method, the only record of the sculpture’s existence, and thus the only way to see it. The central theme here is the transience of life. Especially when, just before its end, everything is still resisting.AWARDS2015 &nbsp; Shortlisted, 16th Premio Arte Cairo, Cairo Editore, Milan, IT2014 &nbsp; Winner, Grand Prix of Photography, Hyères International Festival of Fashion and Photography, Hyères, FR2013 &nbsp; Winner, Best Show of The Year 2013, 3H Foam and Gieskes Strijbis Fonds, Amsterdam, NL &nbsp; &nbsp;&nbsp; <img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/f664457cb110c6d5162bd743f27bc93922088c51e4cba9a95d895471d52af28b/Lorenzo_Vitturi_2_Kate-Elliott1.jpg" data-mid="47794360" border="0" src="https://freight.cargo.site/w/900/i/f664457cb110c6d5162bd743f27bc93922088c51e4cba9a95d895471d52af28b/Lorenzo_Vitturi_2_Kate-Elliott1.jpg" /><img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/ccfae3281b5047bb65a2e6c5af3f928e84ac90197bebc82c53876546f6c44ef1/Lorenzo_Vitturi_4_Kate-Elliott1.jpg" data-mid="47794361" border="0" src="https://freight.cargo.site/w/900/i/ccfae3281b5047bb65a2e6c5af3f928e84ac90197bebc82c53876546f6c44ef1/Lorenzo_Vitturi_4_Kate-Elliott1.jpg" /><img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/eb14196d778c3577a31f6c9e99018fe0303dcbd50c1210b79dee071b4a58935b/Lorenzo_Vitturi_5_Kate-Elliott1.jpg" data-mid="47794362" border="0" src="https://freight.cargo.site/w/900/i/eb14196d778c3577a31f6c9e99018fe0303dcbd50c1210b79dee071b4a58935b/Lorenzo_Vitturi_5_Kate-Elliott1.jpg" /><img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/308f38c5c13b16ffc901e51efcd60e74c556255502614392d09efe6166e7fea8/Lorenzo_Vitturi_6_Kate-Elliott1.jpg" data-mid="47794363" border="0" src="https://freight.cargo.site/w/900/i/308f38c5c13b16ffc901e51efcd60e74c556255502614392d09efe6166e7fea8/Lorenzo_Vitturi_6_Kate-Elliott1.jpg" /><img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/c8333be94a8eee269b4303b94e2b95cd3f9c6b2d0d6ffb17e87f617beac77635/Lorenzo_Vitturi_8_Kate-Elliott1.jpg" data-mid="47794364" border="0" src="https://freight.cargo.site/w/900/i/c8333be94a8eee269b4303b94e2b95cd3f9c6b2d0d6ffb17e87f617beac77635/Lorenzo_Vitturi_8_Kate-Elliott1.jpg" /><img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/30f19e7106688f2e3a69452fb6e73e5262f026bafc3fde1d9aebf3dd34cd0baa/Lorenzo_Vitturi_9_Kate-Elliott1.jpg" data-mid="47794365" border="0" src="https://freight.cargo.site/w/900/i/30f19e7106688f2e3a69452fb6e73e5262f026bafc3fde1d9aebf3dd34cd0baa/Lorenzo_Vitturi_9_Kate-Elliott1.jpg" /> <img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/9ccdc7fb2bfea518d9c7705211dccbb8ec8a965109065d71d08a04b59edc0547/Lorenzo_Vitturi_7_Kate-Elliott1.jpg" data-mid="47794488" border="0" src="https://freight.cargo.site/w/900/i/9ccdc7fb2bfea518d9c7705211dccbb8ec8a965109065d71d08a04b59edc0547/Lorenzo_Vitturi_7_Kate-Elliott1.jpg" />